In partnership with the Smart Museum of Art at the University of Chicago, Black Moon Trio presents Spilling Over, a program that offers a rich, multi-layered reconsideration of the visionary African American painter Bob Thompson. Through this performance, the trio traces Thompson’s brief but extraordinarily prolific transatlantic career, diving into his formal inventiveness and his profound engagement with universal themes of collectivity, bearing witness, struggle, and justice. Drawing connections between visual art and music, the program illuminates the powerful parallels between Thompson’s artwork and the sonic landscape of his time, weaving together the cultural, historical, and artistic influences that shaped both his paintings and the musical compositions that echo their spirit.

Spilling Over is designed for both visual art enthusiasts and music lovers alike, offering a unique opportunity to experience the intersection of two powerful art forms. The musical selections are carefully curated to mirror the multifaceted inspirations behind Thompson’s work. These selections include the electric energy of the New York City jazz scene, the expressive freedom of modern jazz pioneers like Nina Simone and John Coltrane, and the powerful struggles of the 1960s Civil Rights Movement. By examining Thompson’s enduring influence, the performance seeks to provoke reflection on the continued struggles for racial justice and the ways in which art—whether visual or musical—can serve as both a mirror and a catalyst for societal change.

    • Billy Strayhorn: Suite for the Duo

    • Daniel Schnyder: Walden - Trio for Horn, Violin, and Piano

    • Daniel Bernard Roumain: Filter 

    • Nina Simone: Blackbird

      • Arranged by Black Moon Trio

    • Jeff Scott: Un Abrazo para Sharon

    • George Butcher & Julius Watkins: Linda Delia

      • Arranged by Black Moon Trio

    • Leo Brouwer: Pictures at Another Exhibition - ​Pop Construction (Robert Rauschenberg)

  • The Smart Museum of Art at the University of Chicago is a site for rigorous inquiry and exchange that encourages the examination of complex issues through the lens of art objects and artistic practice. Through strong community and scholarly partnerships, the Museum incorporates diverse ideas, identities, and experiences into its exhibitions and collections, academic inquiry, and public programming. The Smart first opened in 1974.


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  • Bob Thompson's short, but dynamic, career began in the late 1950s and ended in his premature death less than a decade later. Like other artists of his generation in New York, Thompson developed a vital new figurative style in reaction to the dominance of abstract art, yet adapted its spontaneity, scale, and expressive use of color.


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